Phoenix’s commitment to public art
The City’s Public Art Program goes beyond the Convention Center walls. The Public Art Program was established by the Phoenix City Council in 1986 through an ordinance that allocates one percent of the city’s annual Capital Improvement Program to public art projects, Brown said. This means that one penny from every Capital Improvement Program dollar used to build or improve City infrastructure like streets, parks, the airport, libraries, community centers, the Phoenix Convention Center & Venues and more, goes toward public art.
The program is intended to foster collaboration between local government, artists, and other design professionals to create a more beautiful and vibrant city, Brown said.
“When we are looking at a new piece of art for anywhere in the City, we are looking at the best way to affect the space,” Brown said. “We want a variety of projects and experiences for our visitors and residents.”
The artists are selected via a panel that begins with an open call, known as a request for qualifications or RFQ, Brown said.
“Our process allows us to get artists on board early so that all stakeholders can plan accordingly,” Brown said. “The understanding of the design and the facility is crucial.”
Phoenix Convention Center & Venue’s public art
When the facility expanded in 2008, the Phoenix Convention Center had a $3.2 million public art budget stemming from three capital improvement program bonds. These works offer a variety of perspectives on life in Phoenix, the United States, and the world in the 21st century.
Brown said the importance of public art cannot be overstated, especially in spaces like the Convention Center.
“The things that are memorable for people are the cultural things,” Brown said. “The art at the Convention Center is free to see and open to the public. Each one has its own unique perspective and makes the experience of visiting the Convention Center more memorable.”
Brown said that every piece might not speak to everyone, and that’s true of any work of art. But, she says, that’s not what matters.
“What matters is that it connects with at least one person,” Brown said. “And these works of art, they do. It’s about the one person who walks by, pauses, and feels something.”